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・ Charles-Philippe Robin
・ Charles-Philippe Ronsin
・ Charles-Philippe van de Werve
・ Charles-Philogène Tschaggeny
・ Charles-Pierre Boullanger
・ Charles-Pierre Colardeau
・ Charles-Pierre Denonvilliers
・ Charles-René d'Hozier
・ Charles-René Dejordy de Villebon
・ Charles-René Laitié
・ Charles-René-Léonidas d'Irumberry de Salaberry
・ Charles-Richard Lambert
・ Charles-Robert Ageron
・ Charles-Robert Faidide
・ Charles-Rémy-Jules François
Charles-Simon Catel
・ Charles-Simon Pradier
・ Charles-Séraphin Rodier
・ Charles-Séraphin Rodier (mayor)
・ Charles-Séraphin Rodier Jr
・ Charles-Thomas Maillard De Tournon
・ Charles-Théodore Millot
・ Charles-Théophile Gaudin
・ Charles-Valentin Alkan
・ Charles-Victor Dubois
・ Charles-Victor Langlois
・ Charles-Victor Mauguin
・ Charles-Victor Prévot, vicomte d'Arlincourt
・ Charles-Wilfrid de Bériot
・ Charles-Édouard


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Charles-Simon Catel : ウィキペディア英語版
Charles-Simon Catel

Charles-Simon Catel (10 July 1773 – 29 November 1830) was a French composer and educator born at L'Aigle, Orne.
==Biography==
Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by Ponce-Denis Écouchard-Lebrun). He was appointed inaugural professor of harmony at the Conservatoire de Paris, but was destitute in 1814. Amongst his students was the Prix de Rome winning composer Joseph Daussoigne-Méhul, the Belgian composer Martin-Joseph Mengal, and the famous, if eccentric, harpist Nicolas Bochsa. Catel died in Paris.
His works include a "Treatise on Harmony" (1802), several concert band works, several dramatic compositions at the National Opera of Paris: ''Sémiramis'', ''Les bayadères'' ; at the Opéra-Comique: ''Artistes par occasion'', ''l'Auberge de Bagnères'' (1807) ; ''Wallace'' (1817); symphonies, quartets etc.

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